Friday, 25 October 2013

The 1975 Release 'Girls' Video


Earlier this week, The 1975 released the brand new video for their most recent release, 'Girls.' The song, which is also Zane Lowe's latest hottest record, depicts the idea of teenage angst and the typical yet black and white fact that girls constantly tend to go for men a few years they're senior. The video however, holds an entirely different discussion point.

The 1975 always seem to be quite particular about their sound and the aesthetic they like to create to accompany their music. They're old school R&B influences, everything from Otis Reading to Michael Jackson, combined with their alternative and edgy image comes as a somewhat refreshing break to the majority of bands that seem adamant on sticking to one specific genre and doing exactly what is expected from that genre aesthetically. This unconventional video for new release 'Girls' sees the band sticking two fingers up at the labels, only satisfied by drab, over-sexualised videos that dominate our TV screens by doing exactly that. Its a wonder they kept straight faces throughout the entire video.

A great video to accompany a great song and I am increasingly pleased that The 1975, a band that I have been a fan of through 4 (yes, 4) name changes, are finally gaining the recognition they deserve after 10 years of hard work on the band

Thursday, 24 October 2013

Arctic Monkeys, Manchester Phones 4 U Arena [23.10.13]

photo: clashmusic.com

Last night, I was lucky enough to get the chance to see the Arctic Monkeys for the second time. Victoria station was full to the brim with overenthusiastic fans haggling ticket touts and grabbing their traditional pre-gig McDonald's. The biggest band of our generation were in our city for the first time since November 2011 and that was blatant, given the distinctive chill of excitement that hit every attendee as soon as they walked through the arena doors. This band have graced us with five albums of pure brilliance and here they were tonight, to serenade us with their newest pursuit, AM, along with the whole host of undeniable classics they have under their belts.

The support came from young talent, The Strypes, who delivered a short but sweet set of bluesy rock jams in the hope of getting the crowd moving. There is no doubt that this band are impressive for their tender ages, however, I am not sure they were up to the job of supporting the biggest band of our time. Nevertheless, they managed to maintain a head bobbing crowd which is always a good sign, even if not one droplet of sweat was shed throughout their entire set.

The pre-set music of everything from Biggie to The Beatles lowered in volume, before grinding to a tension building halt.The lights were faded to black. The roaring chants of 'Alex! Alex! Alex!' began, whilst the unanimous swarms of young girls started tearing up at the pure sight of suit-clad suave Alex Turner, in the flesh, making his way onto the brashly lit stage. There is no doubt about it, this band have established themselves over the years as one of the most influential bands in music history, but this was something else. It felt as if the stones had just walked on stage in '65. 

Helders starts us of with the boastful drums of 'Do I Wanna Know?' a song that has been stuck in our heads since the start of the summer, followed by that infectious riff we all know and love. The arms of the crowd to and fro in unison as Alex Turner, in an Elvis Presley stance, asks that burning question (does he want to know?) The swarm of goggle-eyed fan girls cling onto his every word and yet again the Arctic Monkeys have proved themselves. 

The set list continued to excite us, raking in early anthems like 'Brianstorm,' 'Dancing Shoes,' and 'Teddy Picker,' along with classics from Suck It and See and Humbug such as 'Don't Sit Down 'Cause I've Moved Your Chair' and 'Crying Lightening.' It is difficult to explain the extent to which the crowd were truly revelling in the moment and this was not altered when they played the third track on AM, 'One For The Road.' 

Covered in sweat (and piss) we kept on dancing as our favourite band threw tune after tune at us, 'Why'd You Only Call Me When You're High?' was a particular highlight, as well as 'Arabella' and of course the 2005 hit 'I Bet You Look Good on The Dancefloor.'Turner's vocal was well and truly faultless as well as pristine guitar and bass from Cook and O'Malley, and of course energetic drums from Mr Matthew James III, as Turner likes to address him. This band have grown so much over the years, from their 2005 success to now. The huge force that they have become just goes to show how they will be remembered in years to come. Even seeing them play live in 2011 for their Suck It And See tour seems like worlds apart from the rock stars they are now. 

The flawless set list was topped off when they played 'No.1 Party Anthem' and 'I Wanna Be Yours,' two of their most admirable tracks from AM. 'I Wanna Be Yours,' Arctic Monkeys' adaptation of John Cooper Clarke's classic poem of the same title,culminating in clouds of glitter and smoke, suffocating the crowd. This truly was a spectacular moment to witness, one that will be impossible to indulge in again. 

They vacated the stage, leaving us emotional wrecks with nothing more to chant but "we want more!" before returning, more boastful than ever. The dynamic guitars of 'Snap Out Of It' kicked in, causing the crowd to endeavour in even more Alex Turner inspired snake hips. "I wanna grab both your shoulders and shake baby," the crowd shouted at the top of their lungs, before simmering down for a beautifully done acoustic version of 'Mardy Bum.' Arms waved from side to side in reflective appreciation, as it became apparent that this night was coming to a close. And all of a sudden, that famous 'R U Mine?' riff kicks in.The perfect conclusion to a perfect set, from an almost perfect band.

If there is anything I have learnt from last night, it is; 1. Alex Turner is THE hottest man on the planet. 2. The Arctic Monkeys' back catalogue is absolutely insane. only they could miss two of their biggest tracks ('When The Sun Goes Down' and '505') from their set and still have an absolute monster of a set list and 3. If you aren't the biggest fan of AM, wait till you hear some of the tracks live and it will be totally different story. They have definitely converted me!

Wednesday, 2 October 2013

Review: King Krule - 6 Feet Beneath the Moon

image: kingkrule.co.uk

It baffles me that this guy isn't massive. His obscure sound, loosely resonant of a Jamie T/James Blake love-child, with thrown in jazzy and bluesy instrumentals is like nothing the world has ever heard before but it works so well.

I stumbled upon King Krule a.k.a Archy Marshall 2 years ago when he was playing under the pseudonym  'Zoo Kid'. The first track I heard from him was 'Out Getting Ribs' and I was utterly mesmerised, I remember listening to it through my earphones on the way to school everyday for months. I was constantly on the look out for new material from him but he had disappeared into the woodwork for a good twelve months. However, 2011 saw his return with his 5 track self-titled EP, closely followed by the release of the amazing 'Rock Bottom,' and 'Octopus' released via Rinse in 2012.

My expectations for this album were exceedingly high based on Krule's previous work and if anything, the finished product is even better than I imagined. 'Easy Easy,' which is a song I have been besotted by in recent weeks, opens the album in a more dynamic style compared to other tracks on the album. The predominately guitar produced track combines down-to-earth lyrics about the consumerist nature of the 21st century with untamed riffs which can only be described as addictive.

King Krule claims that the album title '6 Feet Beneath the Moon' is a metaphor for the idea that we are always too far away from our dreams and that nature really is reflected in each track which loosely conveys the demeanour of a man with a chip on each shoulder. Tracks like 'Has This Hit?' and 'Neptune Estate' present a deeper and more personal side to the record whereas 'A Lizard State' builds on the rant infused, almost humorous tone of 'Easy Easy.' The best track on the album for me would have to be 'Ocean Bed,' purely because of its laid-back, bluesy rhythm and effortless riffs, embellished with stunning lyrics.

All in all, this album is an exceedingly good effort and I shall be looking forward to hearing what he has in store for us in the future, not to mention what is in store for him off the back of this album.

***

8/10